At the end of their stay in the Bahamas, the following
interview was conducted with the Beatles to promote the upcoming theatrical
release of the movie 'Help!' Copies of the recorded interview were then sent to
American radio stations.
It was created to be an 'Open-end' interview - meaning that
once the interview was recorded, the questions were edited out so that local
disc jockeys could read scripted questions along with the recording to sound as
if they were personally conducting the interview.
Q: "We're on location with the Beatles, and they're
here to tell us about an exciting new movie. Tell us where we're talking from
this time."
John: We're just talking on the set of the film we just
finished in Nassau, Bahamas."
Beatles: (shouting) "'Help!' 'Help!'"
Q: "John, where did this title come from -
'Help'?"
John: "It came from out of Dick Lester's mouth, it
came. Our director, friends."
Ringo: "I thought it came out of his shoe."
George: "Well, Dick sort of slowly went up to us, one
at a time, punching us, saying 'It's gonna be called HELP!' and we said, 'Yeah,
that's a great idea, Dick, sir... sir. We'll call it that.' and that's how it
all became about."
Q: "Why did you have so much trouble with the title,
Paul? I know you had a different title first. What made 'Help' the final
title?"
Paul: "Uhh, 'cuz it was about the best, I'd say. It
just sounds right, you know. That's why. 'Help!' There you are."
George: "It fits the story because, you see, people are
trying to get us all through it. and so, we need a bit of help, you see."
Paul: "That's right."
Q: "This second picture, John, how does it differ from
the first one you made?"
John: "Well, it's in color, for a start. and, I don't
know, there's a lot more happening in this. There's a story, you see. In the
last one it was just sort of documentary, but this is a real film,
almost."
Q: "Did you have any different problems in this one,
George, other than in 'A Hard Day's Night'?"
George: "A couple of more problems. (laughs) A couple
of more, yes. Because, for a start, we had a big idol... and lots of trick
things, you see. Whereas we didn't have any trick things in the last
film."
Paul: "Yeah, the business about the idol was that, umm,
it was supposed to rise from the water, you see, as a sort of trick..."
John: "and it wouldn't."
Paul: "...and it wouldn't 'cuz the water was always too
rough for it. So we've had a bit of trouble with that."
Q: "Does this idol have anything to do with you,
Ringo?"
Ringo: "Uhh, yeah. Yeah. I can't tell you what the plot
is, but here are some of the questions that we answered. (reads) 'Why were the
high priests of the terrible goddess of Kaili interested in the Beatles? What
did they want of him? They weren't fans. Two leading scientists hope to rule
the world. Paul is threatened by a Beetle - B, double-E, T, L, E.'"
Q: "What happened to you in this picture, Ringo?"
Ringo: "I'm chased by a gang of thugs all the way
through it actually."
John: "Yeah, they seem to be chasing Ringo. (reads)
'There's two leading scientists who hope to rule the world.' (giggles) 'and an
Eastern beauty saves all our lives from time to time,' it says here."
George: "All I can say is, 'Will John live to sleep in
his pit again?'"
Paul: "Right! Or, for instance, 'Will Paul ever get
back to his united organ?' - Electric organ, I mean."
Q: "You're kind of veteran movie stars at this point.
Do you like this business of making movies, Paul? Is it difficult for
you?"
Paul: "Umm, I think all of us really enjoy it. It's
something different, you know. We've all forgotten about how difficult it was,
or hard it was sort of standing 'round the set all day. You forget about things
like that. and it's just nice to be doing something like a film, which is a
completely new thing for us, really, you know - we've only ever done one before
this one. It's just good seeing rushes and seeing a film get together, and
seeing it sort of make itself, you know. Yes, very exciting. Lovely."
Q: "and John, this movie brings us more great songs
from the Beatles, too."
John: "There's about seven... I'm not sure. Paul and I
wrote eleven and we chose seven out of the eleven."
Q: "I suppose there is a title song."
John: "Yeah, it's called 'Help!,' you know. We think
it's one of the best we've written."
Paul: "Sung at the beginning and the end of the picture
- made at United Artists with the help of Walter Shenson and Dick Lester... one
or two people we ought to plug."
Q: "George, how do you go with this movie making
career? How do you take to this business of making movies, getting up early in
the morning, getting the make-up, and so forth?"
George: "That's a bit of a drag - getting up in the
morning. But umm, apart from that and the waiting 'round, it's great fun. We
have a great laugh. Don't we, fellas?"
Paul: "Yes. Yes, we do."
John: "Yes we do."
Ringo: "Yeah it's great except, as George said, getting
up in the morning. We hate getting up, you know. It's always difficult to do
something you hate."
Paul: "Especially when you go to bed about three in the
morning, it's very difficult to get up at six. (jokingly) However, as we never
go to bed at three in the morning..."
John: "We only go to bed at five."
(laughter)
Paul: (jokingly) "'Cuz we always go to bed at late evening.
No, you know, it's difficult when you go to bed late. Some nights you do, some
nights you don't. There you go."
Q: "Ringo, you're a newlywed. What do you expect out of
marriage?"
Ringo: "What do I expect? I don't expect anything. I
just love being married, you know, and I love my wife. I just want her to be
there all the time when I'm there, you know. Now there's no one that can say,
'She can't do this and she can't do that,' you know. If we want to go anywhere
or do anything, I'm the boss - we just do it. There's no one to tell us
anything else now. It's marvelous, you know, 'cuz we both belong to each other,
and you can share everything. It's a great thing being married. you know I
enjoy it. Well, I mean, I shouldn't sort of - I'm not an authority on it.
(laughs) I've only been married a month. But umm, you know, I love it. It's
something you can't explain, you know. It's only people who get married who
know this thing."
Q: "John, tell me. Where has this taken you - this
second Beatles picture?"
John: "Well, it took us to the Bahamas, Nassau. and
we've been to Austria, that was great. and most of it was done in London for us
which is also great."
Q: "George, do you like this traveling around to
different places?"
George: "It's not bad at all, when you're making a
film."
Q: "John, does this traveling around and doing
one-night appearances ever become a drag?"
John: "No. If there were no kids I think it would be a
drag, you know. We'd say, 'What's happened!' We'd say - How would we say
it?"
Paul: "We'd say--"
Beatles: (in unison) "What's happened!"
Paul: "There's not half as much excitement when there's
just nobody around, you know. I mean, it's nice occasionally to get a quiet
spell. For instance, when we were in the Bahamas, you know, that was nice and
quiet. and Austria - pretty quiet. But doing tours and things, you know, that's
always more hectic. But it's still good. It's good in a different way, you know
- like making films is good and making records is good, but in different
ways."
Q: "But there must be times when this hectic life gets
to be too much. In fact, a recent article said that you are even rude at
times."
John: "Uhh, the article is right. We've been quoted as
being rude to people. We're always rude BACK, you know. and we're no more
cynical than we ever were, it's just that..."
Ringo: "There's people writing about it now."
John: "...you know, people notice us being cynical
because we're public figures, but we've always had the same attitude. We always
disliked the same kind of people as we did years ago."
Paul: "But if someone comes up to us and is rude to us,
then we'd be idiots to sort of stand there and smile as they were being rude to
us, you know. I mean, nobody is gonna take that. and it doesn't matter if
they're a public figure or anything. You know, you're just stupid if you don't
do something in return. It's okay turning the other cheek, you know. But
(laughs) your cheek doesn't oft get smashed up that way."
John: "A woman came up and says, 'I've got a so-and-so
year old daughter. But I couldn't care less me-self.' You know, something like
that. and I thought it was pretty rude, seeing as we were eating at the time as
well - in the middle of a meal. So we were just a bit cold towards her. and she
probably thought we had no right to be, but she forgets that we're human, you
see."
Q: "At what point do you get used to a phenomenon like
this?"
George: "At first, everything was going too quick
anyway. We didn't even have enough time to think of what was happening. We just
did it, and then suddenly we realized that we were selling records and things.
But you know, apart from that, we never thought too much about it. We used to
just see how many records were selling and that was it - go and do a show - but
we never used to sit 'round and talk about how great we were. So you know, it's
just a thing in the back of your head that you're what you are, and you're
doing your job, and that's it, you know."
Q: "Now that you've completed your second picture, you
boys are not going to give up concerts, are you?"
Paul: "No, of course not. We're doing a big tour, you
know, in America - uhh, I don't know how many cities - but it'll be pretty
hectic, you know. But it's all good fun. We enjoy it. Filming, making records,
concerts. You know us - a laugh a minute! Hah hah hah!"
John: "Hah hah!"
Q: "When you're writing a song for the picture, do you
write it for a particular scene?"
Paul: "What happens is that we, uhh..."
George: "We just shove 'em in anywhere." (laughs)
Paul: "Yeah. We just write the songs first, and then
just shove 'em in anywhere, as George said. Especially in the sunset scene at
the very end of the picture, where the two lovers - that's George and Ringo -
are coming towards each other on the beach!"
(laughter)
Paul: (chuckling) "and they just finally meet... well
actually, they don't quite meet. They just run past each other and both dive
into the sand."
John: "They both light a cigarette."
Paul: "Yeah, that's it. The sun goes down, and it's a
sort of a big facade of Oriental beauty, you know what I mean."
John: "Facade Harbuckle."
Paul: "Facade Harbuckle. and then the whole picture
just ends up..."
George: "You're telling them too much about the
story..."
Paul: "I'm sorry. I've..."
George: "They won't go and see it if you tell 'em all
about that."
Paul: "Okay."
John: "But tell 'em about the vintage car race!"
Paul: "The vintage car race!"
John: "Well, that's another scene where we all go from
Brighton to Egg-mutton. and none of us win, unfortunately. and it just about
ends there."
Q: "It sounds like fun. I want to thank all you boys
for talking with us today. We're all looking forward to seeing you in your
second motion picture, 'Help!'"
Paul: "This is Paul McCartney saying thank you very
much. We hope you all enjoy our film. It's been nice being on your show."
John: "This is John Lennon saying thanks for everything
- enjoyed being on your show."
Ringo: "This is Ringo saying thanks for everything -
hope you enjoy the film and the songs from the film. We hope to see you all
when we come to the states."
George: "and this is George saying goodbye to everybody
who's been listening, and also to you for having us on your program. Thank you
very much!"
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