The following press
conference held in August 1966, just one week before their final live concert
in San Francisco, California, occurred slightly ahead of a marvelous contest to
which 150 winners/fans took part in a
closed question and answer session with the biggest pop stars the world had
known, the very event covered in my blog last week. Here now, presents the
media reporters chance to interview the renowned band members.
Q: "Would any of you
care to comment on any aspect of the war in Vietnam?"
JOHN: "We don't like it."
Q: "Could you elaborate
any?"
JOHN: "No. I've
elaborated enough, you know. We just don't like it. We don't like war."
GEORGE: "It's, you
know... It's just war is wrong, and it's obvious it's wrong. And that's all
that needs to be said about it."
(applause)
PAUL: "We can elaborate
in England."
Q: "I have a question
for Paul. I don't know if you know about it yet, but two young ladies
threatened to jump to their death from the twenty-second floor of the hotel
here in Manhattan if they could see you. How do you feel about young girls
acting this way?"
PAUL: "If they could see
me?"
Q: "They wanted to see
you-- If you came over they wouldn't
jump. The police finally rescued them. They threatened to jump unless you came
over."
PAUL: "Good god, you
know... Phew! I don't understand it. I don't know. Umm... silly, that. I'll see 'em, you know."
(laughter)
Q: "Will the Beatles be
inactive when John goes on movie location for the (How I Won The War) motion
picture?"
RINGO: "Yes."
JOHN: "I'm only doing it
because we've got a holiday, you know. I wouldn't do it if we had any work.
(pause) We're not out of work, mind you."
(laughter)
Q: "When you arrived at
the airport, there were only nine girls waiting to meet you, were you
disappointed, and do you think that's a reflection of a loss of popularity in
this country?"
JOHN: (jokingly) "Yeah,
we're real brought down by it."
PAUL: "Really
disappointed!"
(laughter)
PAUL: "Three o'clock in
the morning they expected millions."
(laughter)
Q: "Now that Paul is the
only bachelor Beatle, do you find that the girls gravitate more to him than
they do to the rest of you fellas? How do you feel about that?"
JOHN: "They always
did!"
RINGO: "Yeah."
(laughter)
PAUL: "Well, the thing
that we found... We found after all this business, of all the buttons that say
'I love Ringo,' "I love John,' John's were outselling everyone's."
JOHN: "A rather
distinctive Beatle."
PAUL: "A distinctive
Beatle."
Q: "This is for Paul and
John. Do you think that happiness is really
egg-shaped, or is it just a rumor from the egg marketing magazine?"
PAUL: "Hooo-hooo-hooo."
JOHN: "Ho, ho."
Q: "Do you think
happiness is real, or just a fantasy?"
JOHN: "It's real,
alright."
RINGO: (jokingly) "Depends how the eggs are cooked."
(laughter)
PAUL: (laughs) "That was
about as good as anything."
Q: "Ringo, now that
George has joined John and Paul in writing songs are you going to start writing
your own songs?"
RINGO: "Umm, no."
Q: "Why not?"
RINGO: "I can't write
them. I try, you know, but... a lot of rubbish."
Q: "On your new album,
'Revolver,' I noticed a lot of violins and even trumpets."
GEORGE: "Very
observant."
(laughter)
Q: "How come you decided
to use violins and trumpets?"
PAUL: "There were,
uhh... I think there were three violins on the whole album and three trumpets. So, we're not exactly going overboard on 'em, you know. We don't use them all that
much, but it was just that those tracks sounded better with violins and with
trumpets than with us, you know. That's the only reason we use them."
Q: "This one to John,
please. Any remarks whatsoever on some of the recent remarks attributed to you
and the Beatles concerning religion?"
JOHN: "Well, I think
I've said enough about that. I can't say any more,
and just sort of going over the same
thing over again. You know, a lot of it just is a lot of rubbish and a lot of
hysteria."
Q: "Uhh, to John and
Paul-- It's been said that Lennon and McCartney may someday replace the names, Rogers and Hammerstein. Have you ever
considered discontinuing performing and instead just keep on writing?"
JOHN: "No."
Q: "Would you rather
perform, then?"
PAUL: "I mean, you
know... When we're eighty, we won't be
performing. We may be writing."
JOHN: "And we don't want
to be Rogers and Hart, either."
(laughter)
Q: "This is to all of
you. You seem to be doing a Bob Dylan in reverse. That is, you became popular
playing rock and roll, and now you seem
to be doing a lot more folk rock. Would
you care to comment on that?"
RINGO: "Folk rock."
PAUL: "It's not folk-rock. Honest. Yeah, somebody said that the
other day."
Q: "Songs like 'Eleanor
Rigby' and..."
PAUL: "No, the thing is
that-- That thing about Bob Dylan is probably right, in reverse, because we're
getting more interested now in the content of the songs, whereas Bob Dylan is
getting more interested in rock and roll. It's just;
we're both going towards the same thing, I think."
Q: "Paul, I believe you
have just recently purchased a farm in Scotland. Have you any intention of
purchasing any further, being in the United States?"
PAUL: "No. I just bought
that farm because it was very cheap. And, uhh,
I always wanted a farm. And it's a nice place. But that's as far as it
goes."
Q: "This is for John.
There have been reports from Europe about too much reaction to your Christianity
remark. They say it represents a possibility of immaturity in American society.
Do you think so?"
JOHN: "Uhh. Who says so?"
Q: "It was said in overseas
press."
JOHN: "Well, I mean...
It's an opinion. That's all, you know. I don't... They're entitled to their
opinion."
PAUL: "I think the thing
about that is that, uhh, there are more people in America, so there are more bigots...
just by head of population."
(laughter)
PAUL: "No, well... There
are, you know."
JOHN: "What about
Scotland?"
PAUL: "Well, you know...
but I mean, you hear more from American bigots than you do from Russian bigots."
(laughter)
PAUL: "That doesn't mean
the whole country's bigoted, you know. Does it?"
Q: "This question is to
John and Paul. Is there any special significance in the use of the term,
'Yellow Submarine'?"
PAUL: "It's a happy
place, that's all. You know, it was just...
We were trying to write a children's song. That was the basic idea. And there's
nothing more to be read into it than there is in the lyrics of any children's
song. 'Sparky,' you know, it's the same kind of thing."
JOHN: "Sparky?"
PAUL: "Sparky.
Correct."
(laughter)
Q: "Two years ago I
traveled with you as a group, and this time you seem to be much quieter, much
more restrained. Do you think you're getting older, or are the tours getting to
you?"
JOHN: "I think we're
probably getting older, you know, each year."
(laughter)
PAUL: "I've got
older."
Q: "How do you think
Prime Minister (Harold) Wilson's austerity program is going to affect London as
the capital of rock and roll, and what's it going to do to you financially if
the pounds devalue?"
JOHN: "We don't know.
You know, we don't know what he's done, yet, because we've been away. I mean,
we've seen a bit of it, you know. If it affects us, that's alright."
Q: (female) "I must say
you're a cute looking bunch."
PAUL: "Gee, thanks,
Ma'am."
(laughter)
Q: "I'd like to ask you
sort of a personal question. Do you bring your own
barber with you when you travel abroad?"
BEATLES: "No."
Q: "Do you have your hair
cut, then, wherever you are?"
RINGO: "Umm, no. Well...
We usually have it cut at home, you know. Well, I do."
Q: "How do you define
glamour in a girl?"
RINGO: "Glamour?"
JOHN: "Don't like
glamour."
PAUL: "You can't define glamour, really, you know. It's just there, or it isn't."
JOHN AND PAUL:
"Glamour."
Q: "There was a rumor
carried in the New York press and on radio
this past week that you're all wearing wigs because you were trying to join a
London club which is very exclusive. Is it true or false? Are you wearing
wigs?"
GEORGE: "No."
PAUL: "Oh. Do YOU
believe that? Do you? No."
Q: "Your hair looks much
more uniform than it did two years ago."
PAUL: (effeminate)
"Thanks, silly."
(laughter)
PAUL: "No, that's not
true, you know. But thanks all the same."
JOHN: (giggling) "No
comment."
(laughter)
GEORGE: "To George-- Now
that you've learned to play the sitar, do you expect to learn any more
instruments?"
GEORGE: "I haven't
learned to play the sitar. I mean, Ravi Shankar hasn't LEARNED to play it, and he's been playing it thirty-five
years."
(applause)
PAUL: (excitedly, to George)
"Woo!"
Q: "A question to John
and Paul. Is there any theme to the 'Rubber Soul' and 'Revolver'
albums..."
PAUL: "Theme?"
Q: "...a general theme
with variations on it?
PAUL: "No, not really,
you know. (to John) Is there a theme?"
JOHN: "No. The only
theme is that you do them at the same period, so they have something in common
when they get on the same LP. That's all."
Q: "A question to
George. Do you feel that Indian music will be more influential in the future of
rock and roll and pop music?"
GEORGE: "Umm, well... I
don't know. I personally hope it will
become more-- that there'll be more Indian influences just generally in any music because it's worth it. It's very good
music. I'd just like to see it more popular-- more people appreciating
it."
Q: "This question is addressed to all of you. Do any of you ever
get tired of all this hocus-pocus, the press conferences, the screaming girls,
the crowds, and decide that you would like to
just sit back on your fat wallets and forget the whole thing?"
PAUL: (laughs)
JOHN: "Well, when we
feel like that, we take a fat holiday on our fat wallets..."
(laughter)
JOHN: "...and then you
get fed up with that, and you feel like
coming out and doing this."
(laughter)
Q: "How would you
describe the reception you received on this trip to the States? Has it
increased, diminished, or remained the same?"
PAUL: "The actual
numbers of people, umm... recepting, or
whatever the word is, is bigger... so I hear. Who knows."
RINGO: "Yeah."
PAUL: "Well, Brian
(Epstein) knows. You know, ask him."
GEORGE: "We're playing
to more people on this trip than we have on the last tours."
Q: "You said that you
and Dylan are heading towards the same thing. Where do you see your music
going? Things have changed."
PAUL: "Well, it's
going... I don't know. The thing is, uhh...
It's going forwards. I don't know toward what,
but it's gonna go forward. We're trying
to take it forward, and Dylan's trying to take his forward, but it just looks
as though it's going backwards."
(laughter)
PAUL: "You know, I'm not
trying to be funny, but it does... It's gone from very complicated to less
complicated."
Q: "But certainly it's
changed since your advent. I'm wondering where you consider yourself to be now,
music-wise."
JOHN: (jokingly) "On
Decca Records."
Q: "Do any of you have
plans to record on your own?"
JOHN: "We do at home,
you know. We might."
GEORGE: "In fact, we
have done, I think."
JOHN: "I think so."
GEORGE: "'Eleanor Rigby'
was Paul on his own."
JOHN: "We were just
drinking tea."
(laughter)
Q: "No, the thing that
I'm trying to get at is, do you have plans like
anything definite at all?"
PAUL: "Not for separate
recording careers, if that's what you mean."
Q: "Have you written any
good books lately, John?"
PAUL: (misunderstanding)
"Blues?"
JOHN: "Books?"
PAUL: "Books?"
JOHN: "Books or Blues, I
haven't written anything, you know."
(laughter)
Q: "Paul, according to
wire reports you became a little ill after you got off the plane last night.
What happened? Air sickness?"
PAUL: Yeah, something. You
know, I haven't been too well on the tour.
I just felt a bit ill, that's all, and I was sick."
Q: "One of you, I believe it was George, said that you couldn't
comment on Vietnam in this country but you could in England. Could you
elaborate on that a little bit?"
GEORGE: "I didn't say
that. Maybe one of us said that, but I didn't."
PAUL: "It was me. I
mean, you know about that, anyway, you know. I mean, we could say a thing
about... like John's religious thing in England and it wouldn't be taken up and
misinterpreted quite as much as it tends to get here. I mean, you know it does.
The thing is that I think you can say
things like that in England and people will listen a bit more than they do in America because in America somebody will take
it up and use it completely against you and won't have many scruples about
doing that. You know, I'm probably putting my foot in it saying that,
but..."
JOHN: "You'll be
explaining to the next bunch."
PAUL: "Yeah, I
know."
(laughter)
PAUL: (jokingly, in American
accent) "Oh well, it's just wonderful here."
(laughter)
Q: "There appear to be a
much smaller number of fans outside the hotel
and the..."
JOHN: "Yip yip."
Q: "...concert tomorrow
night at Shea Stadium is far below a sellout. How do you feel about
this..."
JOHN: "Very rich."
(laughter)
Q: "...not being quite
as popular as you were?"
JOHN: "It doesn't
matter, you know."
Q: "Do you make the same
money?"
PAUL: "Well, I don't
know, but the thing is-- Do you expect us just to go on forever making more and
more money, making more and more figures, bigger and bigger? You can't just go
forever!"
GEORGE: "And if certain
people have decided they don't like us after John's statement then, you know,
we don't want..."
JOHN: "We'll have to get
rid of them."
GEORGE: "We'd rather
just have people who like us, and really
like us, rather than pretend to like us because we're the in-thing."
(applause)
JOHN: "The first house
in Memphis-- two-hundred didn't turn up who were
meant to, or something like that, but the second house was wild, you
know, and we thought that would be the place that would show any sort of real doubt about what was going
on."
Q: "Do you think that
with the new mini-skirts and wild fashions that young women are exposing too
much these days?"
BEATLES: "No!"
(laughter)
JOHN: "You get quite
used to it. It's not as wild as you think it is, when it's sort of, everybody's
wearing clothes like that. It just looks sort of
normal, and you get used to it, the same
as people got used to long hair."
Q: "When you go to San
Francisco then, will you visit some of the topless restaurants?"
GEORGE: "No, we'll only
be there long enough to do the concert and then fly back to Los Angeles."
JOHN: "Well, they could
come to the show-- we'll get 'em a couple of tickets."
GEORGE: "Yeah."
(laughter)
GEORGE: "They could
dance on stage while we do our act."
JOHN: "Nah, we wouldn't
be able to do it."
Q: "What music do you
listen to for relaxation?"
RINGO: "Uhh, all sorts,
you know."
PAUL: "All kinds of
music. I don't think anyone of us has
got..."
JOHN: "Except for
him."
PAUL: "Well, George is
mainly interested in Indian music, and we all share the interest, and like all
other kinds of music as well. Good music, you know."
Q: "Here's a question
for the entire group. I noticed that Brian Epstein is sitting up on the
platform with you gentlemen. After all these years how are the Beatles and
Brian getting along, aside from the financial considerations?"
JOHN: "We get on just
fine."
PAUL: "Good
friends."
GEORGE: "He wouldn't be
sitting on the stage with us now if we didn't."
JOHN: "He'd be sitting
on his fat wallet somewhere."
(laughter)
Q: "If it could be arranged would you like to include, in your
'67 or '68 European concert itinerary, concerts in the satellite capital
countries such as Warsaw, Moscow, and Budapest? Can you answer that,
please?"
JOHN: "We can't, you
know. We'd like..."
GEORGE: "Personally, I
wouldn't like to play there because I just don't fancy going there at the
moment. There's lots of other places I'd
rather see first. But that's a personal whim, you know."
M.C: "These are now the
last three questions."
Q: "I got a tough
question for Ringo. Your boy is a year old next month, right? September?"
RINGO: "Yeah."
Q: "What kind of gifts
does he want for his birthday?"
RINGO: "Well, how do I
know. He's not talking yet."
(laughter)
PAUL: (giggles)
Q: "Do you feel
responsible for the Mod fashion revolution in the United States?"
BEATLES: "No."
JOHN: "We haven't
noticed it."
GEORGE: "We're not
responsible for ourselves, never mind fashions."
JOHN: "Mental as well,
eh?"
Q: "A couple of years
ago, you said that you were most influenced
by people such as Chuck Berry, Laverne Baker, etcetera. Now that they're more
or less over the hill as far as pop music is concerned..."
JOHN: "They were
then."
Q: "...who do you admire
now? You mentioned Indian music-- Are there any pop stars in the United States
today that still influence you?"
JOHN: "We like a lot of American groups, still, you know."
GEORGE: "Elvis."
JOHN: "We still like
Chuck Berry... I haven't burned his records or anything."
PAUL: (laughs)
(laughter)
JOHN: "The Lovin
Spoonful are nice."
PAUL: "Beach Boys are
great."
RINGO: "Mamas and the
Papas."
JOHN: "We like a lot of things, and are influenced by everything that's going on."
PAUL: (jokingly)
"Especially Bill Haley."
(laughter)
Q: "What about the
downfall?"
PAUL: "What about
it?"
GEORGE: "Well, the
downfall won't be a downfall for us because we won't really..."
JOHN: "...feel
down."
GEORGE: "If we'll have a downfall it will only be for all
those people who think, 'Hee hee, the Beatles aren't making hit records
anymore.' We won't particularly be worried. So it won't be a downfall."
Q: "You're looking
forward to it? Getting out of all this?"
PAUL: "No, we're
not."
JOHN: "We don't sort of dread it. It's just something that'll
happen."
GEORGE: "When it
happens, we'll accept it."
Q: "Ringo, do you have
any comment on fatherhood?"
RINGO: "Ahh, it's okay!
You know, that's about all. I like it."
M.C: "This must be the
last question, I'm afraid, time-wise."
Q: "One of the disc
jockeys in the local area said that one of the songs, I believe it was 'Rain,'
was recorded backwards. Is this
true?"
JOHN: "Uhh, it is true.
After we'd done the session on that particular song-- it ended at about four or
five in the morning-- I went home with a tape to see what else you could do
with it. And I was sort of very tired,
you know, not knowing what I was doing, and I just happened to put it on my own tape recorder,
and it came out backwards. And I liked it
better. So that's how it happened."
M.C: "I'm afraid that
has to be the last question."
(applause)
Next week, I’ll share with
you a radio interview presented on January 24, 1964, from Paris, France, just a
couple weeks before the famous Liverpudlians conquered America.
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